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Lady Fancifull

~ adventures in a mainly literary obsession

Lady Fancifull

Tag Archives: Folk Tales

Katherine Arden – The Bear and The Nightingale

09 Monday Jan 2017

Posted by Lady Fancifull in Children's and Young Adult Fiction, Fiction, Reading, Whimsy and Fantastical

≈ 4 Comments

Tags

Adult Faerie Tale, Folk Tales, Katherine Arden, Medieval Setting, Russian Setting, The Bear and The Nightingale

A perfect, darkly mythic tale of old Russia

the-bear-and-the-nightingaleKatherine Arden’s first book should grip anyone with a love for old folk/faerie tales, especially those who prefer their those tales to have more than a whiff of the darkly sinister about them – less Perrault, more Grimm, and. perhaps heavy with Pagan roots.

Arden, in transpires, is a Russophile, and spent some time in Russia as a student, steeping herself in its Medieval past. The Bear and The Nightingale is, by all accounts, the first volume of a trilogy. I’m glad I didn’t know that when I requested it from NetGallley, as I’m not wildly enamoured of the fantasy/fantasy YA genre, particularly where sequels are concerned, as my prejudices tell me this may all be too marketing driven and not enough driven by creative integrity.

However….prejudice is so often there to be exposed and exploded, and, after a slow start, Arden hooked me up and tied me tight into her wonderful tale of a family, minor relatives by marriage of the tsar of the time, living far away from Moscow. The central character is a wild, witchen child – or, at least one who sees more than others, and is aware of the myriad domestic and nature deities which are well established in the pantheon of pre-Christian (and even post-Christian) myths and legends from classical times. And Slavic folk lore has many of these.

Vasya’s mother Marina, who died giving birth to her, (they always seem to) had a kind of second sight, and could see those nature and hearth deities. She is happily and passionately married to Pyotr, a heroic, but ordinarily mortal man. Most of her children are four square without other powers, but Vasya and her older brother Sasha ‘see beyond’

The old religion and a mystical Christianity have to sit side by side with each other, sometimes easily, and sometimes….not. Some of those with additional powers, like Marina, and like Vasya, juggle a more universal sense of holy and sacred better than others.

16th century Icon, Kremlin Only Begotten of the Father and the Word of God

16th century Icon, Kremlin : Only Begotten of the Father and the Word of God

When a highly devout and charismatic priest with dreams of leadership and glory is banished from Moscow to Pyotr’s domaine, a deadly clash between faiths and practices is set in place. And compounded by the fact that Pyotr has had a new wife foisted on him, by the Tsar – for political reasons. The new wife, Vasya’s stepmother, is not much older than Vasya, who is standing on the edge of moving from girl to woman. There are the usual folk tale tropes of wicked – or at least, spiteful, stepmother and far nobler, braver stepdaughter, but there are also darker forces around, as stepmother Anna, who also has powers to see the native deities of the house, the woods and the forests, fears and hates them as demons. She wishes not to be a wife, not to be a mother, and longs to be a Christian nun. Vasya, the most wonderfully spirited, passionate child and woman wishes to be curtailed by wifedom, motherhood nor a Bride of Christ. She is akin to elementals and wishes for a life of adventure, which her sex denies her

There are wonderfully dark forces abroad in this, satisfyingly archetypal battles between Good and Evil – except, which is which, is not always so simplistically obvious. The dark Marozko, Frost King, demon of winter is simultaneously a less malevolent figure, Jack Frost.

Ivan Bilibin, artist and stage designer 1902: The Heroine Vasilisa outside the hut of Baba Yaga

Ivan Bilibin, artist and stage designer 1902: The Heroine Vasilisa outside the hut of Baba Yaga

And saint-like beautiful priest Konstantin, who paints fabulous icons, and seeks to lead the people away from worshipping older gods, is desperate to hear the voice of God

Suffice it to say, the story started a little slowly, but I kept reading with some interest until the hooks took hold, as Vasya became old enough to show her heroic qualities

The marketing of the book is falling between several stools – because the writing itself is quite complex, it has an adult, fantasy marketing but the age of the central character mark it as Young Adult. I requested it from NetGalley on its General Fiction (ie NOT YA) marketing, and only as I neared the end wondered whether it would ALSO appeal to that market.

Lacquer box illustration of Morozko folk tale

Lacquer box illustration of Morozko folk tale

Definitely a read for short days and long midwinter nights though………..

And, yes, I WILL be looking out for the sequel………katherine-arden

The Bear and The Nightingale will be published on the 12th January in the UK and two days earlier in the States. The young author, one to watch, surprisingly has not grown up in the far North – she is a Texan, but I was convinced she dwelt in frozen, evergreen forests, and gambolled with the wolves……

The Bear and The Nightingale Amazon UK
The Bear and The Nightingale Amazon USA

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Neil Gaiman (author) + Eddie Campbell (illustrator) – The Truth is a Cave in the Black Mountains

18 Friday Jul 2014

Posted by Lady Fancifull in Children's and Young Adult Fiction, Fiction, Reading, Short stories, Thriller and Suspense, Whimsy and Fantastical

≈ 8 Comments

Tags

Artwork, Book Review, Eddie Campbell, Folk Tales, Graphic Novel, Illustrated Book, Neil Gaiman, The Truth is a Cave in the Black Mountains

Fireside dark storytelling rendered even more magical

I am old now, or at least, I am no longer young, and everything I see reminds me of something else I’ve seen, such that I see nothing for the first time. A bonny girl, her head fiery-red, reminds me only of another hundred such lasses, and their mothers, and what they were as they grew, and what they looked like when they died. It is the curse of age, that all things are reflections of other things

Fabulous weaver of weird and wonderful stories for adults and children Neil Gaiman wrote this short story/novella The Truth is a Cave in the Black Mountains, which was published in a collection of creepy dark stories: Stories: All New Tales, by Headline, back in 2010.

Then this story by Gaiman developed another life, when he was invited to read his story aloud, and with projected artwork by Eddie Campbell, with a musical underscore by FourPlay String Quartet at the Graphic Festival at Sydney Opera House.


Neil Gaiman reading, Eddie Campbell’s images, and underscoring by FourPlay, Sydney Opera House 2010 excerpt starts at 2.44 and runs to 4.10

Now Headline have reduced the experience back down to the individual reading experience – a book, a story on the page, that artwork, condensed into a wonderful weaving of seductive and dark words, sensuous and sometimes scary images, and the tactile experience of silky, glossy pages, hardcover, slightly textured titling. The book as craft, art, and beautiful object as well as wondrous words and a story like some well-honed myth, handed down through generations.

The Truth Is A Cave

This is a journey through the Highlands, a journey made by two stern men, both with hidden secrets. The un-named narrator is a small fierce man. His companion, Calum MacInnes, is a tall, gaunt one. And there appears to be distrust of the other, from both sides, as they set out to find hidden gold which may be cursed

Artist Eddie Campbell’s artworks are gorgeous, and varied in style, ranging from graphic, solid broad-brush stroked figures which are almost cartoon in simplicity, to some lovely part-shaded, part outline, suggestions of shapes, which appear to flicker out from misty, pastel backgrounds. I particularly like the fact that the textured background Campbell must originally have used is visible, a wash across all pages, so that the use of colour is subtle and varied.

This is really not a book to get on ereader – the subtlety of texture, the vibrancy of colour and shape need to be appreciated in the larger size of a book’s pages.

I was extremely fortunate to be offered this by Headline, as a review copy.

My only regret is that I missed knowing about this book till a few days after Neil Gaiman, Eddie Campbell and Foursquare repeated the performed event of the story. Seeing these illustrations stage sized, having the author read his tale aloud and with the underscore, sitting rapt with others whilst this played out, must have been a magnificent occasion

The Truth is a Cave in the Black Mountains Amazon UK
The Truth is a Cave in the Black Mountains Amazon USA

And, of course, I must once again give hearty thanks to fellow blogger, friend,and fellow Amazon reviewer Fiction Fan, who is also at times my crossed books at dawn duelling partner, when one of us fervently recommends a book to the other which makes the other react with the sort of enthusiasm normally reserved for a festering swarm of fruit flies on a rotting pineapple. (I’ve resisted the urge to use media here, and will leave it to your fertile imaginations)

However she absolutely came up trumps for me with this one, urgently contacting me to tell me that I would yearn and lust for this, and that ARCS were available She was SO right – and you should also check out her magnificent review, chock full of those marvellous illustrations, and other quotes Fiction Fan’s review of this

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