‘The man lay still in the centre of a dusty grave under a monstrous sky’
So many book bloggers and book reviewers whose opinions I value have praised Jane Harper from The Dry onwards. I resisted reading her only because some of those trusted reviewers are crime fiction aficionados, and I am not a devotee of any genre, though there are certainly writers in this field I adore such as Patricia Highsmith, and, in more modern vein, Tana French.
Offered the chance to read an advance copy of Harper’s next book, I thought I should see what the fuss was about. And…I see it, I absolutely see it, and am now spending my own money on The Dry and The Force of Nature. Late to the table, but I am there now.
The Lost Man is tremendous, absorbing, powerful. The vast inhospitable brooding Australian outback is a palpable, charismatic and terrifying presence, which loomed into my safe cityscape, through the power of Harper’s evocation. Several times I came back to my here and now world with a kind of shock at its littleness and confinement.
My only question on this book would be the one of genre itself. I would not describe this as crime fiction, or even a dark psychological thriller. It sits firmly lit ficcily. It reminded me (though very different) of Jane Smiley’s lit ficcy reworking of King Lear, Ten Thousand Acres, more than anything. Or some ancient and mythic tragedy from classical times. A vast landscape, powerful, dysfunctional family dynamics, etched through generations.
There is certainly a death, and in circumstances which don’t completely stack up, and there is a policeman, though as his territory patch covers hundreds of miles, he is not, by any means, the one who might be on hand to do any kind of solving
The Bright family cattle farm across a huge swathe of land, territory divided into three. Brothers Cameron, Nathan and Bub are each other’s nearest neighbours. A gravestone, round which local legends have grown up is a solitary orienting landmark in the shimmering, dry desert
Months, even a year even, could slip away without a single visitor passing by…the grave stood mostly alone next to a three wire cattle fence. The fence stretched a dozen kilometres east to a road and a few hundred west to the desert, where the horizon was so flat and far away it seemed possible to detect the curvature of the earth
There was a single homestead somewhere to the north of the fence, and another to the south. Next door neighbours , three hours apart
Cameron Bright is the most successful of the brothers. And, right at the start, it is clear he broke a cardinal rule outbackers know is crucial. Inexplicably, he left his car, in perfect working order, stocked with food and water, on his way to meet with one of his brothers to repair a mast on his territory, and just walked out into the desert and died in obvious agony, of heat exposure and dehydration.
Nathan, the oldest brother, and the one who makes the deepest journey into self and family awareness is the central character. Through him and his understanding, tangled family patterns are explored. Nathan is some kind of pariah, an infamous past history seems to have engulfed and isolated him – yet he is the one who appears to be the closest to being a man of integrity, steadfast. Popular, respected now-dead Cameron may not have been quite as seen. Youngest brother Bub, angry at not being valued by anyone as his brothers’ equal, is erratic and too fond of drink. However, there is a widespread consensus that Nathan is not stable, he has lived alone for far too long, after an acrimonious, bitter divorce. He can’t get people to work for him, and is barely able to make his part of the Bright cattle ranch pay. He had to sell some of his land to Cameron, years earlier.
This is such an absorbing read. It is full of credible twists, turns, revelations. The story – which is not fast paced, unfolds through character, and through landscape. Place is as powerful as psychology.
Highly recommended
I received it as a review copy from Amazon Vine.
And I must pay tribute to an evocative review of a previous novel by Harper from Jane, of Beyond Eden Rock. It was Jane’s praise of The Dry which made me think I should investigate Harper after all, when offered The Lost Man. And I have now devoured, and thoroughly been absorbed by, her earlier books
The Lost Man UK
The Lost Man USA
….for those earlier regular visitors to this blog. – I’m horrified to see I last came to my own blog in September. Blame intense work load (still continuing) Time to read, or time to blog, not time for both. Plus, rather sadly, I read a lot last year which did not make my ‘must be at least a clear and obvious 4 star, and preferably 5 star, to get reviewed on here’ rule. I do hope to post some reviews more frequently than once every 4 months!. Erm..Happy Earlyish February!
I enjoyed The Dry very much. I thought Harper really captured a sense of place very well.
Yes, I certainly resonated with that sense in all three books
I thoroughly enjoyed the first two. Thanks for the reminder that it’s about time I checked out this one!
It’s wonderful realthog – as are the others, of course. I’m so pleased I finally surrendered to Ms Harper
How interesting! And yes – a book can have a death and mystery in it and still not fit into genre but just be, well, fiction! 😀
I do love books where the feeling of landscape is strongly defined and Harper has made me want to change my predilection for books set in snowy wastes to those set in blazing empty deserts…
Nice to see you back in the blogosphere, Lady F – I’ve missed your beautifully eloquent reviews! The sense of place sounds incredibly strong here – a clear feeling for the territory and its people, a combination that can be hard to encapsulate. A reading friend loved The Dry and enjoyed The Force of Nature. Based on your commentary around this new one, I think she’d fall for this too.
PS Have you seen the recentish Australian film, Mystery Road? I couldn’t help but be reminded of it as I was reading your review.
Thank you for such a kind comment, Jacqui. I don’t think I shall be blogging as regularly as I was, but it certainly must be more often than it was last year – particularly if i continue to look out for advance reading copies. As for Mystery Road, yes, a friend urged me to it, and I did get absorbed. All started by my late discovery of Jane Harper!
This sounds very good. I’ve got The Dry on my piles, so I will read that first but the comparison to Ten Thousand Acres makes me want to read this too. I like books with a strong sense of place. .
I preferred this to the other two, though they are tremendous, I think she is deepening her craft/skills. I probably found this particularly pleasing because it is not really ‘crime fiction’ , though there is a crime
I see what you mean. That’s the best crime. Although I like pure genre crime too.
I haven’t read any of her books, and it sounds like I’m missing some good ones, especially if you’re comparing this book to A Thousand Acres. I loved that book and its mythical feel. Looks like I’ll be picking up The Lost Man. Thanks for the rec! And it’s good to see you back in the blogosphere!
Woo hoo! Thank you Jilanne! I have at least for one more post scheduled, as I slowly try not to be overwhelmed by the backlog from last year and last month!
Now that you are back in action, I fear for my TBR pile.
And that is marvellous news, there is a wonderful book which I’m trying, serpent like, to tempt with, and the post goes live in an hour or so, I think, ……..I have already persuaded one person to buy it from me mentioning it in an email……..
I was very taken by The Dry when I read it more than a year ago. The Australian landscape and psyche were strongly conveyed. Still have the pleasure of the next two before me. I enjoyed reading your bookish thoughts here again. 🙂
Ah, thank you Christine. It all comes down to time, and my terror of the enormous pile of books needing to be reviewed! Having now read all three of Harper’s wonderful books, this one still haunts the most