Sara Taylor – The Lauras

Tags

Book Review, Novels about America, Sara Taylor, The Lauras

“home for me was a place I was going to, rather than a place I could occupy” : A story of wanderings

Sara Taylor’s first novel, The Shore was a stunning debut, a collection of individual stories which were interweaving, deeply entangled exploring the history and geography of a small group of islands off the coast of Virginia, and the families and their descendants who marked the place, and were marked by it

So I was extremely interested (and with some trepidation) to read her ‘can you follow THAT – always a challenge when a debut writer sets a very high standard for themselves to meet again.

Well, I need not have worried. The Lauras is a very different book, but it is equally immersive, equally assured, equally wonderful.

Out of the dark, foaming ocean a sun was rising, massive and red. It balanced on the black line of the horizon and spilled its blood across the sky, tore the scudding clouds with pink and caked the wet sand, and for a moment, I wondered if, in the course of my sleeping, we’d made it to the end of the world, where the sun rose out of the ocean like a newborn thing in the way I’d always imagined seeing but never had

“Where are we?” I asked

“Florida,” she said

Taylor, originally from rural Virginia, clearly has a love of the landscape of her country, and this is evidenced in this book, effectively, a mother and child road trip. However, Taylor chose to complete her education in the UK, where she now lives, so she also brings that interesting outsider’s eye to her native country. Something being explored here, in many ways, is identity, and those who, in different ways, do not fit into the world which mainstream cultural thinking, and existing structures, have designed. Her interest is in misfits – which to some extent must mean almost all of us. Few are perfectly round pegs easily happy in perfectly round holes.

The mother in this story is clearly an outsider – child of Sicilian immigrants, she is not quite Sicilian, not quite American. Circumstances led to her having a wild, disrupted childhood, and she was fostered. The road trip is towards a journey back to her own past. She is married, with a thirteen year old child, but the marriage is foundering. Alex, the 13 year old is torn between whether to follow mother or father as the primary identity role model, as children of breaking marriages often can be. Ma rather takes matters into her own hands, following a particular row. She has been planning on escaping this marriage for some time, and has had hidden bags packed in readiness. Alex is scooped up in the middle of the night, without really knowing what is going on, and the two set out on a two year and more road trip, sometimes hunkering down so Alex’s schooling can continue, whilst Ma works at menial jobs. She is searching for some specific friends from childhood and young womanhood. Friends, and more than friends. Ma has a fluidity around her sexual orientation as well as her nationality and cultural identification. Coincidentally a few of the early significant friends were called Laura, so the name has acquired potency.

Ma and Alex are dependent on the kindness of strangers, at times, but are also at risk from the unkindness of others, and sometimes, they will have to be the ones offering kindness, or seeking to right wrongs and dispense rough justice

Narrator, now an adult, looking back some quarter of a century, is Alex, so the narrative voice is adolescence through the filter of maturity

Memory is slippery, not even like a fish but like an eel, like an ice cube, like a clot of blood whose membranous skin can barely contain internal shifting liquidity. It’s something that, the firmer you try to grasp it, the weaker the hold you have on it, the less trustworthy it becomes. But it doesn’t matter what really happened, does it? Reality matters less than how it is perceived, that edge or feather or scale that you catch onto as it flickers by. And after a year or ten in a dingy pocket who can say if it was a lizard’s scale or a dragon’s in the first place?

Unfortunately, so very much about this book might be spoiled for a reader if further information is given, yet I’m aware that a review this evasive or woolly might fail to lure a potential reader. I will have to err on the side of evasion. Like things are in this book for Alex, who does not know the destination Ma is heading for, it is the unknown journey – road, or book, which is the point. Naming, defining, holding out signposts for readers would be destructive

Humans – most of us, at least – have the incapability of pondering the really terrifying things for any serious length of time. It’s probably what keeps us from throwing ourselves off cliffs in mass fits of existential crisis

Taylor tells a wonderful story, and her writing of it is beautiful, crafted, sure.

I recommend this very strongly. I read it in digital version for review, from the publishers via NetGalley

I await Taylor’s next book with even higher hopes. Tremendous

The Lauras Amazon UK
The Lauras Amazon USA

Advertisements

Sara Taylor – The Shore

Tags

Book Review, Dystopia, Sara Taylor, Southern Gothic, The Shore, Virginia

Dark, violent, disturbing, beautifully written, and with an obsidian glitter

The Shore is a highly assured debut novel by a young author, originally from rural Virginia, whose tertiary education was in the UK, which is where she now lives.

The setting of this interweaving, deeply entangled collection of individual stories, spins itself backwards and forwards, picking up a thread here, leaving it dangling, working that thread into another patch of story, ranging between 1876 and 2143, within the geography of a patch of small islands off the Virginia Coast, and loosely within the interlocked lives of a couple of individuals born in the 1850s, and their descendants.

The family histories are dark indeed. Women, across the generations, abused by some of their menfolk, who are themselves hardened by poverty and prey to addiction, whether illicit alcohol, home stilled during Prohibition, or, in modern times, the cooking of crystal meth.

One family strand tells the story of Medora, child of a Shawnee Indian woman and a brutal white landowner. Medora learns the lore of plants, and within her descendants there are those who still follow shamanic ways, prophetic ways.

It’s extremely difficult to categorise this powerful book – the future moves into an obvious dystopian world, which is heralded in the declining fortunes of the rural community from that 1850s start, and which is echoed in the history of many rural communities in the developed world in the twentieth century.

The book starts with a murder and a mutilation, and there are more murders to come, not to mention rape, castration, physical and emotional abuse – and yet, there is no sense at all of a gratuitous writer titillating with all this

When news of the murder breaks I’m in Matthew’s buying chicken necks so my little sister Renee and I can go crabbing. There isn’t much in the way of food in the house, but we found a dollar and sixty-three cents in change, and decided free crabs would get us the most food for that money. Usually we use bacon rinds for bait, but we’ve eaten those already

I’m squatting down looking at the boxes of cupcakes on a bottom shelf when a woman steps over me to get to the register……….She’s a big fat woman, with more of an equator than a waist; she steps heavy, all of her trembling as she does, and for a moment I’m worried she’s going to fall and squish me. She dumps a dozen cans of pork and beans on the belt and gets out her food stamps, then digs down the front of her stretched-out red shirt and pulls a wrinkled ten-dollar bill out of her bra to pay for a pack of menthols

Taylor writes extremely well – and can capture the voices of different generations, different times, men, women and children.

I really liked the fact that I never knew quite where I was going in her book, the fact that she does not follow a one directional linear route with it. The structure mirrored, if you like, the tangle of braided lives, with the grand pattern coming clear at the end, and earlier lives of people now long dead touching the sections set in the twenty-second century

Nicolas Raymond, Misty Assateague Island Marsh

What is also noteworthy, despite the brutality, the violence, the wastedness of many of the lives, is a fierce connection to the land, and family ties, and friendships, particularly concepts of sisterhood, whether sisters by blood, or sisters purely by gender.

Finally, the UK book cover is rather wonderful. It does not at all suggest, or hint at the true nature of this book, and I am so pleased that it doesn’t. There could have been some very poor and schlocky design, illustrating some of the violence of the subject matter. It was only on finishing the book that the cover began to reveal its subtle appropriateness (shells, just shells of various kinds)

I will, for sure, be following this writer with interest. After such an assured, and original beginning, I have no idea what subsequent books might bring. Taylor has a voice which is unusual, feels authentic, and, for once, the dust-jacket praise seems deserved.

For me, Adam Thorpe, poet and novelist (Ulverton) captures her best:

Sara Taylor has a completely natural unforced feel for language and voice: a remarkable debut

It is.

And, it was a review of this, by Bending Over Bookwards which alerted me to the fact this had been sitting patiently on my bedside TBR, waiting to be read. I wish I could remember who or what first alerted me to buy it, and thank them, but, alas, sunk in the Assateague mists of time

Edit : Now how could I have forgotten that the person to thank is the inestimable Madame ‘Giffy’ Bibi, who so kindly reviewed the book back in July, including several quotes to show the fine quality of Taylor’s writing – here’s the link to her great portmanteau post Inexcusable to have forgotten, particularly as my comment on that post said – I’m heading straight off to buy this. AND I did!

The Shore Amazon UK
The Shore Amazon USA