Putting away childish tales of dark mythology: Twentieth Century History has darker shadows
Once I had let go of my expectations and the still resonant allure of Kostova’s first novel, The Historian, I surrendered totally to a tale far darker, and far more needing-to-be-told, a warning note echoing beyond the pages of fiction
I started this, given the setting, and the publisher blurb : “From the #1 bestselling author of The Historian comes an engrossing novel that spans the past and the present and unearths the dark secrets of Bulgaria, a beautiful and haunted country” with an erroneous assumption that those ‘dark secrets’ would be, like The Historian, some of the ones from myth and long ago times. Particularly as, deliberately or not, there are a few hints and reminders which might indicate that we could be in Undead territory. Instead, what unfolds is something far more serious, far more potent, far more relevant, reminding us that tales of myth, magic and legend may perhaps be curious and safe entertainment, fantasy horrors, protecting us from the real horrors which we visit on each other in the name of ideology
Set in the first decade of this century, Alexandra Boyd, a young American woman with the desire to be a writer, and with a tragedy in her own past, arrives in Bulgaria, a country with a personal resonance from her childhood, in order to take up a teaching/study assignment.
Boyd has an accidental tangle with a charismatic older man and his two elderly companions, on her first arrival. In seeking to help the elderly couple, clearly in some difficulty, get a taxi, and help the three to load their various bags into the taxi, Boyd finds to her horror that she seems to have mixed up one of their bags, with her own. In a strange country, without knowing the language, she does not quite know what to do, how to find the threesome, how best to get the missing luggage back to them. Although clearly a kindly young woman, she is also mesmerised by the English speaking man accompanying the elderly couple, so this fires her desire to find the trio and return the missing item, one which is unusual, and highly significant.
He was a very good man who thought he was a very bad man. That is a -difficult combination…..Sometimes – sometimes we know a person who is a very bad man but who thinks he is a good man. Maybe that is even more bad. Even worse. Worse, because the bad man, who thinks he is good, thinks that he can do anything to anybody
Boyd engages a waiting taxi driver, a rather mysterious one, who not only speaks English, but is curiously willing to help her………….
And thus unfolds a mystery, where nothing is going to be quite what it seems (including this reader’s assumptions about ‘Bulgaria’s dark secrets’ The twentieth century, unfortunately, is full of dark secrets, most around politics, systems, ideologies and regimes: the pursuit of power and the lengths some will go to achieve it.
I have often thought that the terrible thing in communism was not just that we turned against each other. It was that we turned away from each other
Having started this in the hope of some kind of intelligent, beautifully written page turner about mythic, medieval history, and a modern woman on a search for a legendary, imaginative past, to help distract me from the present, I found instead something which made me wonder more about a future I hope we are not travelling towards, with various unprincipled, ferociously egotistic men occupying political power at this time.
I think young people now don’t know much about those times, or don’t understand – they think it’s always been as it is now, the mobile phones and friends on the Internet and lots of people going to other countries to work
I found, for sure, an intelligent, beautifully written page turner about all too real history: the shadow of the last war, the shadow of the communist bloc, and some of those who moved into power (and where from) after the Berlin wall came down.
There is a lot in here which recounts that horrific history, as Kostova pursues a tale which is at times in two times – the early fifties, and the first decade of the twentyfirst century. It is excellently done, and even though the story takes a little while to get its real momentum going, it is quietly gripping from the start – and then relentlessly gripping. There are some real surprises too. Nor is the story unremittingly dark. As ever, human heart, the kindness within, and the various redemptive paths humankind take to try and walk away from our shadows, is a kind of compass to true North. And art is one of those needles for true North – music, visual art, literature, poetry especially – a search for transcendence and life of the spirit.
And, in the end, I think Kostova has here, written something more powerful.
The traditional music of Bulgaria is not an integral part of this book, but I can’t resist a chance to include it. An extraordinary tradition, suffused with sadness, laced with aliveness
I received this as an ARC from the publisher, via NetGalley. And it is published on April 11th
MarinaSofia said:
I was not that keen on The Historian, but this one sounds more relevant and compelling, so I may well give her another chance.
Lady Fancifull said:
Sadly, it is I think very relevant. Not to mention compelling.
realthog said:
I was thinking just the other day that it was about time for a new Kostova novel to appear — I very much enjoyed her The Swan Thieves, more in fact than The Historian — so it’s good to know this one’s on its way!
realthog said:
Oh, well: I guess I’ll have to reply to my own comment.
After leaving it, I put the book on order from my tiny local library. To my astonishment, they told me yesterday it had arrived. Yes, their brand spanking new copy entered their system on April 13 and, bizarrely, I was the only person to have placed a hold. So I’m about 90 pages into it already . . .
Lady Fancifull said:
Oh I am so sorry, realthog – I ‘liked’ your comment,rather than posted a reply, as I must have been in a hurry, but I am pleased you got it on library loan and hope the 90 pages in are proving enjoyable. When I read comments on phone or tablet I often ‘like’ rather than reply as the tap tap tap rather that keyboard typing often produces gobbledegook which I don’t notice, due to predictive
realthog said:
For what it’s worth, I put my own scrappy opinions about the novel here.
Lady Fancifull said:
Scrappy be damned, realthog, a perfectly formed review. Except the link led me to your Good reads review page review of another book entirely, so I had a moment of confusion, but then scrolled on…..
realthog said:
How very odd! The correct link, for what it’s worth, is here.
Lady Fancifull said:
Thanks!
kaggsysbookishramblings said:
Lovely review Lady F. I read The Historian when it came out and remember enjoying it and finding it quite terrifying – which I think this might be too, but in a different way…
Lady Fancifull said:
Thank you Karen, you have nailed it, it is, absolutely, and really made me reflect that perhaps the fantasy tales of darkness are the ones which, however terrifying, keep us safe from imagining the very real horrors which ought to be ‘just imaginary’ but aren’t. I was on one level disappointed NOT to be reading a kind of Historian, Mark 2, as I was rather wanting to escape from worrying about real world stuff!
Col said:
I enjoyed The Historian though I thought it lost its way a bit at the end – but some parts were genuinely hair on the back of the neck tense! This sounds like a different sort of tension and might be more my kind of thing so I’ll look out for this.
Lady Fancifull said:
Hair up on the back of the neck, just for different reasons!
BookerTalk said:
I never read The Historian and if this latest one was in fact about the Undead, I wouldn’t have any interest in reading it. But you’ve indicated that it confounds all those expectations – one for me to consider in that case
Lady Fancifull said:
It is a far more disturbing read, in many ways than the wonderful, deeply immured in history and geography, but far more fictional one
BookerTalk said:
I also liked your comment about how books can enrich our knowledge of a place and a time
Lady Fancifull said:
Thanks, BookerTalk
madamebibilophile said:
This sounds excellent Lady F. I am woefully ignorant about Bulgaria’s recent history so maybe this will help me a bit. It could also be a stop on my AW80Books reading challenge. Thank you for the vids, they were beautiful.
Lady Fancifull said:
Thank you Madame Bibi. I must admit the music raises the hairs on the back of my neck and induces much watering of the eyes, clutching at the heart and the like. It would be a great stop on your AW80!
underrunner said:
I’m really interested in both of these Elizabeth Kostova books: the unreal and real terrors. And thanks for the Bulgarian interlude: visual and musical. I think songs and music are a wonderful way to connect with other people’s traditions. I sing in a choir and we sing a number of Bulgarian folk tunes amongst our world music repertoire, including Filip Kutev’s arrangements. After a bout of comfort reading, I’m ready to stretch my horizons again – here are two good opportunities!
Lady Fancifull said:
She is a fine writer, and also has another novel, the Swan Thieves. I have also had a spate of ‘ comfort’! And you are so right about the connection with music and other cultures, especially I guess when you are the ones making the music
risabuzatova said:
Like Elizabeth Kostova, I am an American married to a Bulgarian and the country has been an enormous part of my adult life. I thoroughly enjoyed reading “The Historian” and look forward to reading “The Shadow Land.”
Lady Fancifull said:
I hope you enjoy it as much as I did. Kostova clearly really resonates with the country, and I think her love for the country and its people shine through