Poetry, melancholy, Nordic mists and Chinese tea, in a dry, dystopian landscape
Finnish author Emmi Itäranta astonishingly wrote her first novel, a delicate, dystopian Sci-Fi outing, simultaneously in Finnish and English. Born in Finland the author is resident in the UK. Memory of Water won one Finnish literary prize and was nominated for another.
We are beyond ‘The Twilight century’ (our own) Mankind’s wasteful, indifferent attitudes to its own species and to the planet we share with other species, has resulted in the climate changes from which there is no real return. There has been the melting of the icecaps, the warming of the planet, and most of the landlocked freshwater has gone. Much of the land is given over to huge landfill containing the unrecycleable wastes of this century and the one before – plastics, electronics, consumer junk, which there is no longer the power to use.
Potable water comes, strictly quota controlled, from desalination plants. Hoarding, iillegally tapping into this water supply, and possessing more water than the agreed quota is a capital offence.
China has become the dominant world power, ‘New Qian’. World culture is now Chinese culture, and the world is a Chinese empire
Set in ‘the Scandinavian Union’, Memory of Water’s narrator and protagonist is 17 year old Noria. She is the daughter of a tea master, himself part of a long lineage of tea-masters:
Tea-masters are the watchers of water, but first and foremost we are its servants
In some sense, Noria’s lineage makes her a traditionalist, and an observer and adherent to older duties and customs than those imposed by political decree. The tradition is one of interior discipline and reflection
Noria and her childhood friend Sanja, a skilful inventor and repairer of those long ago obsolete pieces of junk found in landfill from ‘The Twilight Century’ become in some sense, unwittingly, unwillingly, the guardians of human, peer, connection, set against the hierarchical connections of dictatorship and its apparatchiks.
I was fascinated by way this story was told, the creation of the world, and the often quiet, lyrical language. Characterisation was excellent, and Noria and Sanja, their friendship and its challenges, beautifully handled
Past-world tea masters knew stories that have mostly been forgotten………………….The story tells that water has a consciousness, that it carries in its memory everything that’s ever happened in this world, from the time before humans until this moment, which draws itself in its memory even as it passes. Water understands the movements of the world, it knows when it is sought and where it is needed…………Not everything in the world belongs to people. Tea and water do not belong to tea masters, but tea masters belong to tea and water
Itäranta’s interest in sci-fi and dystopian literature is impeccably on the side of reflective, imaginative thinking, and geopolitical awareness, rather than blazing light-sabres and intergalactic derring-do. Writers and books she recommends as her inspirers or books to inspire others include Ursula K Le Guin, Margaret Atwood’s The Handmaid’s Tale, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984.
I received this as a review copy from Amazon Vine UK
This sounds like a really good read despite being written in a genre that would usually turn me off a book. Thanks for a great review.
Thanks Cleopatra. It took me ages to request it, as it was one of those with a cover which didn’t appeal to me, but I ended up seduced, following several reviews going (rightly) overboard about the quality of the writing. I think it might be still on Vine for All, if you are a Viner?
Doncha just hate people who can write fluently in two languages? I’m still struggling to master one…
¡Hola!
Touché!
And….merci beaucoup, chere amie (I can’t do the accents on the phone) as my WordPress stats for the year show you as the blogger who drove most traffic here. But that was no surprise to me. And I’m pretty pretty sure that a lot of us will be in the same position. You are a veritable hub-cap of blogging! Danke! Ta, cobber, mate, dude, old chum!
Really? Oh I am pleased! I get tons of traffic via your site too, and you’re one of my top commenters, so merci right back atcha! I love these stats – in fact, I spend far, far too much looking at the stats in general. And wondering why I should get 16 views from Mexico to the Manga P&P review all in one hour, etc…
Oh, I know. – the lure of stats!. I had one day when mine went through the roof due to over 100 visits to my review of Margaret Forster’s My Life In Houses. All of them were UK visits. I got quite upset as she has a terminal illness, and I was convinced she must have died. But there was nothing about her in the News, or even on checking online. An utter mystery, and she continued to get hits the next day
Then, by chance I had R4 on at an odd time for me – and realised someone was reading from the book in one of the book of the week slots! Mystery solved. Meanwhile I have no idea why a graphic of a rose and a photo of a man with a wolf keep 2 rather obscure books as my most visited reviews of all, well after they were posted more than 18 months ago
Wish i could get into this genre more but i find every time I can’t suspend my disbelief enough to become interested.
Is that post-apocalypse or sci-fi?
Um, I struggle with both actually!
Oh so I can see why the combo might be impossible. You must be an optimist then (! – ‘suspend my disbelief’). I find the post apocs frighteningly plausible.
I had my view of SF completely changed by the late very great Doris Lessing.
The last post apocalypse book I read was by Jim Crace. I love his writing, but I get carried away by the possibility of these horrid futures and find myself missing sleep over them. This does sound good, though. And those who can write simultaneously in two languages have my deepest respect. I can’t even think well in one. 😀
I must try Crace. But you are right too many post apocs back-to-back are high anxiety inducers.