Romantic tone poems, lush and lyrical
Glassworks is a beautiful thing, gentler and more reflective than the vibrant, glittering repetitions which are typically associated with Philip Glass.
In Glassworks, only 2 of the pieces, Floe – like a first sudden moment at the start of a tropical dawn chorus – and the brass section sax rich shining Rubric, have the fierce edges. The other 4 pieces are more simple, flowing, watery.
There’s a typically Glass like circling quality to the whole CD – the opening track ‘Opening’ simply keyboards, for all the world a whisper away from the slow movement of one of the great Romantic piano composers, is echoed again in ‘Closing’, where the piece has become more textured by a chamber orchestra taking it up.
Glass’s typical repetitions, small builds and diminishings don’t feel meaningless in any way, there’s something really satisfying about being held in a structure which changes slowly. ‘Opening’ has the lovely muted grey violet quality of dusk.
Floe starts plangently, softly, and then explodes into edgy texture, rushing piccolo, sax, horns, its like a thousand cicadas wiring up for the day, and there’s something very thrilling about it. Just as you think your nerve endings can take no more of the texture and vibrancy, the track settles back into a breathing space for itself and then whirls off again to its resolved climax
Islands moves back into something more flowing and haunting, slightly melancholic, even a little menacing, with strings in a minor key, odd snatches of melody which feel as if they belong to ‘Psycho’ or ‘North by Northwest’!
Rubric, is the most jazzy, riffy of all the pieces. I found myself responding to it in that head nodding way of marking the rhythm that often seems to happen when people listen to jazz!
Facades is simply beautiful. It probably has the most shifting melody going more quickly to new places, melancholy and soulful, strings and sax, played sweetly and sadly.
An expanded version of this 1990 album has been re-issued with several additional tracks, which does exist as an mp3 – I only have this, shorter album as CD, so am used to its more contained musical shape. The expanded version does have a much more appealing cover pic though (illustrated here) Unless you were a Glass Fan you really might be offput by the unappealing brown cover replete with Glass a scowling. It says ‘Don’t Buy Me!’
The tracks on this version reviewed here are:
1. Opening 2. Floe 3. Islands 4. Rubric 5. Facades 6. Closing
Chris Sullivan said:
Philip Glass, the greatest living composer. I love his work. I was lucky to see him twice in concert recently when he was touring with his Quatsi trilogy. I managed to obtain tickets to see the first two of the trilogy, Kowaanisqatsi and Powaqqatsi. Glassworks as you wrote is a beautiful thing.
Lady Fancifull said:
I saw a revival of the wonderful Satyagraha this week – I had seen that production in a Live At The Met in HD showing which played simultaneously world wide a coupkle of years ago, but to see it live, with the same cast/production from Improbable, was a stunning experience. If ever subject matter and composer came together this was it!
Chris Sullivan said:
I don’t know if you you were like me, but during the concert I caught myself with this huge stupid grin on my face.